Everytime (2023) Review: A Subtle Grief Drama with a Late Twist - Cannes Film Festival (2026)

Everytime: A Poignant, Yet Unfulfilling, Exploration of Grief

Sandra Wollner's Everytime is a film that, despite its intriguing premise and talented direction, ultimately falls short of its potential. It's a delicate and understated portrayal of grief, but its lack of a strong narrative arc and sustained tension leaves viewers yearning for more.

The film follows a family of three women: Ella, Jessica, and Melli. The story begins with a seemingly ordinary life, but tragedy strikes when Jessica suddenly dies. The cause of her death is left ambiguous, and Wollner focuses on the emotional aftermath rather than providing a definitive explanation. This approach adds to the film's enigmatic nature.

What makes Everytime particularly intriguing is Wollner's ability to inject genuine unease into everyday situations. From an eerie stroll through Berlin to a surreal trip to the Canary Islands, the film creates a sense of unease that lingers throughout. However, the lack of a clear plot and sustained narrative makes it challenging to fully engage with the characters' journeys.

The film's pacing is deliberate, with a focus on the emotional reactions of the characters rather than a fast-paced plot. This approach can be both a strength and a weakness. While it allows for a deep exploration of the characters' grief, it also means that the film never quite reaches a climax, leaving viewers with a sense of incompleteness.

The film's aesthetic is reminiscent of the Berliner Schule, with a rigorous and minimalist style. The cinematography, in particular, is rich in detail and warmth, capturing the subtle emotions of the characters. However, the lack of a clear narrative arc means that the film's impact is somewhat diluted.

The film's twist ending is a significant turning point, offering a solution that feels too good to be true. It suggests that the characters' inability to accept their loss leads them to embrace the unbelievable. This twist is staged with disquieting aplomb, adding a layer of mystery and meaning to the film.

In conclusion, Everytime is a poignant exploration of grief, but it falls short of being a truly fulfilling cinematic experience. Its understated approach and lack of a strong narrative arc leave viewers with a sense of longing for more. While the film showcases Wollner's talent, it ultimately leaves a bitter taste, leaving audiences with more questions than answers.

Everytime (2023) Review: A Subtle Grief Drama with a Late Twist - Cannes Film Festival (2026)
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